The next performance of our current tour –t e n – takes place this coming week at Oxford’s Old Fire Station Arts Centre.
Women GOLive is curated by Dance Critic Donald Hutera and features work by women choreographers, he states “men are welcome too”
We will be performing Memoir and Duetti on Friday 15th July at 7.30pm and Memoir and True on Saturday 16th July at 7.30pm
We hope you can join us, here’s the link for details and how to book tickets
It is one thing to work the body, but when your mind is working equally hard, it becomes exhausting. All of the company seems to be feeling the strain, however the moments of joy come from dedicated repetition and embodiment. It’s such a pleasure to dance with such a dedicated group of people and that gives me great inspiration.
With new roles within the company, there is a clarity which has given birth to new life and what feels like the start of a new journey.
With just a month to go before our première at The Met, rehearsals of Duetti and True are really challenging our technical ability; unforgiving movement tearing up our feet as we push on to grasp the many tours en l’air (360 jumps) and the constant play of levels, I can’t help but feel both anticipation and excitement.
The company started back in the studio in February 2016 and started our new year with 2 weeks rehearsing my new work True and also re-working my 2008 piece Duetti. It was a very odd journey going back in time to the early days of our company life as so much water has gone under the bridge since then, and the company has come so far. We celebrate our ten years as a company this year and it seemed right somehow to bring one of my older pieces back for the season.
In addition to these two pieces, we are also presenting work that is a joint collaboration between our company dancers Catrin and Julian. A duet called Memoir which takes the form of an autobiographical journey which promises to be funny, sad, happy, poignant, and everything else in between. The dancers have been in the studio this week making the first steps to choreographing the work.
FFIN DANCE is ten years old this year and we celebrate with our new triple bill t e n
In just a week, our company dancers are all back in the studio, and we can now share the content of our new triple bill line up. We started work on my new piece True back in the Autumn of 2015, and we’ll be just finishing off this delightful quartet for the full company next week.
The second piece is a New Work, that’s a collaboration between myself and 2 of our company dancers Catrin and Julian. Performed as a duet, it will be very much a reflection of the 2 dancers and their personalities. Watch this space over the coming weeks for more blogs and tweets.
And to complete the bill will be Duetti, which I made for the company back in 2008. Accompanied by the haunting songs of Björk, Duetti is as the name implies, a series of duets. Sometimes working with the songs and other times existing as 2 separate elements, the dancers execute lyrical duets.
The organic nature of the songs from Medúlla refer to the purest essence of something and explore the ritual power of the voice in a way that’s primal and elaborate. Several of the songs are sung in Icelandic, which work particularly well with movement. The rolling r’s, guttural stops and elongated vowels reflect the alternately chopped and soaring arrangements behind them.
Unfettered sensuality winds through the songs, with Björk’s voice being miked very closely giving the sense of listening to her from inside her larynx. I was originally inspired by the landscape of Northern Tuscany, when I created the duets: often jagged but occasionally silky and always stunning, the duets unfold in a seamless and intricate order, each one developing from its predecessor.
Described by an audience member at Chisenhale in 2008 – “DV8 meets Matz Ek”
As always we will be posting blogs and tweeting our studio experiences, hope that you’ll join us in our conversations.