Recapping and revisiting…

FFIN DANCE Still Standing Tour 2014 Image Paul Trask

FFIN DANCE
Still Standing Tour 2014
Image Paul Trask

Rehearsals this February have a different feel than usual – rather than using this period to create another piece we are refreshing our memories on Fractal and Stand Up Straight as well as picking up Synapsequence (from Connections 2012) ready to première in March.

It has been really interesting to return to Synapsequence by Gary Lambert as the movement material was generated by ourselves (albeit 2 year younger models!) and so re-inhabiting it feels relatively natural.
Often a comment we get from audience members is that they can’t understand how we retain and remember all of the movement. I was surprised this week by how efficiently we could pick up a whole piece which we had last performed 18th months ago. For me I don’t feel that the memory of Synapsequence was particularly embedded in my brain but as soon as I started revisiting the material it felt as though my muscle memory came into play re-finding these previously visited places.

I found this none more so than with a duet section which I had originally created with Lucille and due to a cast change in the season hadn’t performed since March 2012. As such, I asked Meg to re-teach me my part but soon found that I could remember details and sequentially what happened next with little input needed – fitting back into the movement just made sense in my body, allowing it to happen instead of over-thinking it.

In one section of Synapsequence, we switch from one person to the next for short duets which are specific to each partnership and occur concurrently. When we had re-established the details and connections in each partnership to the extent that we felt comfortable with it, Sue asked us to run through this section with our eyes closed. While this request was greeted with an air of preposterousness initially, we were actually able to manage it for the most part and it gave us a really good sense of knowing our spatial relationship without over-relying on visual feedback. Don’t worry though, we’ll definitely go back to having our eyes open for performances!

So now it’s time for a weekend off (and a bit of time for planning morning class) before returning to Abertillery for week two of rehearsals. Here’s hoping there’ll be no more weather related stand stills on the Heads of the Valleys next week!

Effie 🙂