RISE studio time

My creative time with the company dancers making my new work has come to an end in the studio. RISE is now ready to be refined, polished and staged and will be premièred at our beloved home The Beaufort Theatre

The last section of RISE is titled rewritten as we look with hope to a rewriting of the fate of the gossip and the victims taken from characters in Dylan Thomas’ “Under Milk Wood”

We selected 3 of our FFIN DANCE Youth dancers to perform alongside us in this section in the première on April 6th. They are essentailly what we have fondly called them – mini mes

Our company dancers Catrin, Georgina and Louis have spent some time in the studio during the half term school holiday making work with them that follows the rewriting of the character’s fates. The young dancers are the last image that we see in the piece as they exit the space which imitates a school line in single file.

We had great fun working with them and we hope they had a great experience working in this way; so lucky to be working alongside professional dancers in the studio on a one to one basis.

Georgina and Florence
Louis and Dylan
Catrin and Milo

So now as I hand over my creative “baby” to my trusty dancers, we look forward to sharing the finished work with you.

In addition to presenting RISE in the theatre, we will also be touring this around schools, groups and festivals with accompanying workshops. If that’s something you would be interested in hosting, please get in touch with Catrin on this email ffindancecl@gmail.com

Until I see you next, thank you for accompanying me on this journey …
sue lewis

RISE day 7

RISE Studio Time

We had a great day in the studio: so lovely to have a former FFIN DANCE artist in to teach our professional company class today. It was great to see Megan again and her class as ever, was a challenge and a treat all rolled in to one.

The sections of RISE are coming together well now:
– The Beginning
– Gossip
– Victims
– Dream
– Rewritten

RISE Studio Time

The last section (at the moment, it could change ) is made up of an episode which rewrites the destiny of individual characters from Thomas’ Under Milk Wood. How the pathway of their life has been changed by altering external influences.
Interestingly, we have chosen 3 “mini me” young dancers from our FFIN DANCE Youth company. They will be dancing alongside our company dancers for our première in April 2024 and we start work with them tomorrow. We are all thrilled to have them along with us in the studio.

As part of this piece, we will also be offering people in the community aged 7+ an opportunity to work with us to create another engagement piece on April 2-5th 2024. Please contact Catrin on this email address if you’d like further details | ffindancecl@gmail.com

I hope you are finding my blog journey interesting and will continue to join me along the way …
sue lewis

RISE day 5

RISE Studio Time

The end of a week in the studio was particularly rewarding with quite a chunk of my new work RISE in the bag.

RISE is being designed specifically to be performed in a variety of different spaces: traditional stage, out of doors, school halls and others.
In order for this to work, the movment content needs to be adaptable and multi-facetted – easy to watch from all angles.
I really enjoy this process as it’s “real” and vibrant and stays fresh each time: this is a constant concern when making work which deals with the human condition.

RISE Studio Time

As always, those who know me and my work, music plays a huge part in both the starting ponts and the structure of the dance itself. RISE is no exception. An eclectic mix of modern-day classics including Sneaker Pimps, Ry Cooder and Portishead. Gorgeous rhythms, dynamics and Rhodes piano form the framework for the piece.

Company dancers Catrin, Georgina, Louis and I will be back in the studio next week to continue the work, I hope you can join me in my RISE blog journey …
sue lewis

RISE day 2

Image | Dominika Wenz Copyright @ FFIN DANCE

My second day in the studio with the company dancers, Catrin, Georgina and Louis.

My new work which will be premièred on 6 April 2024, draws inspiration from a variety of sources including Dylan Thomas’ play for voices “Under Milk Wood”
Today, we explored the psychology of why people gossip.

Aptly titled RISE, the piece discovers what it takes to rise above being hurt by others and not to be controlled by external influencers.

Hannah Rose says this about gossiping:
“It’s a behavior that I can still struggle the most with. I get so easily pulled into the toxicity or drama of another’s life and feel this internal urge to chime in, agree, or give my two cents about certain life decisions of another person. Every time, without fail, these behaviors or life choices have absolutely nothing to do with me or my life”
We all do it in the guise of sharing a bit of news, but do we stop to think of the victim of our casual chat?

Tomorrow, we look at the victims and the toxicity of throwing casual remarks to judgement.

Join me for my next blog and continue my choreographic journey …
sue lewis

New Work 2024

I am exceptionally excited to share with you the musings of my new work for the company – RISE

It’s been a while since I have had the luxury of spending time with our company dancers to create a new piece of work and I am so very happy to be able to share my time with you.

Over the next two weeks, I invite you to take this journey with me and read all about my choreographic process, highs and lows and join in the final product on stage at our home theatre

see you tomorrow …
sue lewis

New roles in post

We are delighted to share our good news with you that we have secured funding from the UK Government Levelling Up Shared Prosperity Fund

We welcome three new members of staff to our team:

Catrin | Community Coordinator for FFIN DANCE
Louis | Events & Volunteers Coordinator for The Beaufort Theatre
Andrew | Innovation Coordinator for FFIN DANCE


They start post in June and July 2023 and will be taking our organisations forward and will most certainly be getting in touch with you!

Catrin
Louis
Andrew

Premier performance of Traces:we are all just passing by

We are pleased to invite you to our new work by Tess Letham at our home theatre The Beaufort Theatre & Café Bar on April 15th 2023

Traces:we are all just passing by

The work explores concepts of how the memories of those no longer present in our physical lives linger on: how these people have influenced and shaped us. Whether their presence was fleeting or enduring, their traces have become an integral part of our personal histories, like tiles in a mosaic, forming a unique and intricate pattern that makes us who we are. And how we embody these patterns in our present, showing up for those around us in the here and now.

Tess, an Edinburgh based Dance Artist describes her work:

“My creations focus on human experience – constructing both obscure and deeply authentic environments, inviting the audience fully into an intriguing theatrical world.
I have spent extensive time studying the methods of Flying Low and Passing Through, created by David Zambrano, a main focus of my teaching practice. I am an ambassador for sharing this work across the UK and further afield. This has also become a vital part of my individual movement practice and philosophical understanding of what dance represents in the wider context of community and culture. Within my whole practice I seek an open and encouraging environment, nurturing the possibility to share, discuss, feedback and discover ideas with others”

Take a look at rehearsals here

Another Show In The Making

Image | Amy Sinead Photography

So, as we set off on another creative journey, I’m delighted to welcome Tess Letham to our beloved home studio at The Beaufort Theatre & Café Bar

Tess trained first at the Scottish School of Contemporary Dance, then went on to Northern Contemporary Dance securing a prized Post Graduate apprenticeship with Motion House.
Her creations focus on human experiences – constructing both obscure and deeply authentic environments, inviting the audience fully into an intriguing theatrical world.
Having spent extensive time studying the methods of Flying Low and Passing Through created by David Zambrano, Tess is an ambassador for sharing this work across the UK and further afield.

We start our creative period on Monday January 30th with Tess and our company dancers Catrin, Georgina and Louis
Louis has joined us for his first season as a professional dancer with FFIN DANCE having previously danced with us as a child and then a youth in our community classes and more latterly as a valued member of our teaching team.

The process for the new creation will unite a specific movement practice together with narratives developed through improvisational exercises that explore physical storytelling.
The narratives within the work will be created from solo, partner and group exercises and tools which focus on the physicality of clarity and memory, character and states, transformation and instant adaption, presence, breaking habitual performance tendencies, and encouragement to explore alternative/atypical dynamics and interactions.
The work will explore characterisation, blending physical theatre, dance and storytelling to create a landscape of imagination and surprise.

The company dancers will be working alongside Tess to create the new piece which will be premièred on April 15th 2023 (please see here for tickets)
We then tour the work which will be accompanied by a full community workshop package for schools and groups. Please contact Catrin ffindancecl@gmail.com to get involved.

sue lewis

Where I’m At

Image credit | I.am_nah
Image credit | I.am_nah

Like many of us who work in the arts sector, we feel that for the past few years, we have been reinventing the wheel.
Finally, we are getting back to doing what we love – creating, producing, performing.
FFIN DANCE has fortunately worked through the past few years, teaching and creating dance online at all levels: community classes, outreach projects and have also produced 4 new professional works which begin touring in July 2022.
We start at one of our best loved performance spaces – Canolfan Ucheldre.

HIRAETH is a programme which has a special meaning for us all, a longing to return to much loved place.
It consists of a series of 3 independent duets created by our company dancers Georgina, Julian and Catrin coupled with fourfold, a new piece choreographed for us by Welsh choreographer Liam Riddick This piece started life as a research & development project during the dark depths of lockdown: we undertook this on Zoom, each of us in our own homes.
We were fortunate to be awarded support from the Arts Council of Wales to create our best work to share and engage with communities.

Funded by the Gwent PCC, we have been undertaking Dance & Enhance, a very large project with the community in Blaenau Gwent. Our outreach teachers have been working outdoors with groups of children and young people to intervene at an early stage preventing anti-social behaviour patterns.

Our dance faktry is now fully operational back in our ballroom studio at The Beaufort Theatre & Café Bar. At Easter 2022 we were delighted to be back on stage with all of our community classes, partner groups from the community and we also premièred fourfold with the professional company in front of one of the biggest audiences we have had for many years!

On a personal level, I lost my mother. An enigma, totally unique and beautiful in every which way, passed away sweetly at our family home in Tredegar aged 97. She was inspiring to her last breath.

So new chapters, new pastures and new experiences for us all.
That’s where I’m at …

sue lewis

Birth of The Three Sections

What a marvellous 2 weeks we have just spent in the studio with choreographer Liam Riddick creating our new work for FFIN DANCE titled The Three Sections

The piece is a 15 minute dance work which is inspired by Steve Reich’s orchestral work (1987) titled The Four Sections. The musical score is an exceptional example of “interlocking of similar instruments to produce a contrapuntal web filled with resulting melodic patterns” Steve Reich

Liam has taken three sections of the music and woven together solos, duets and trios for the three company dancers, that interlock and produce a counterpoint in movement bearing a parity to that of the score. Here’s a short film of Liam speaking with me about the work.

You may ask how we did all this through lock down! Zoom of course.
Each day the dancers took class as we would in the studio, but in their own homes. We then began the enormous task of creating an online creative symbience across the miles. It was odd at first. The dancers needing to use screen vision instead of peripheral vision, allowing for a slight time delay in sound, dealing with poor wi fi connections on times but by the end of our studio time together, we actually felt as if we were in the same room as each other. It’s pretty amazing what you can achieve with the passion and hard work that dancers possess. I am incredibly proud of them.

The Three Sections is not a dance piece for film. It’s made online, but not a dance film. We have a very clear idea where we want to take this work and over the next few months we are going to be sharing more and more of this work with you.
In the meantime, here’s a little glimpse of a live stream that we made of Liam working with Catrin, Julian and Georgina

sue lewis