In synchronicity, October saw us return to Abertillery for our second creation period ready for The Power of 3 tour with Catrin Lewis taking on the role of choreographer for the second time for Ffin.
Those of you who were lucky enough to catch us on tour last year will remember Stand Up Straight, Cat’s first piece performed by the company. This piece had been created and performed in its first incarnation prior to being added to the company repertory and extended. As such, there was a sense of knowing the intended outcome of the process before we began – which was compounded by learning duets and movement phrases from pre-recorded footage of the original piece.
For D-cay, we did not have the luxury of getting a pre-emptive view of what the finished piece may look like but were instead afforded the pleasure of accompanying Catrin as her new piece evolved in the studio. Ever one to challenge our habitual and learned movement choices (remember last year’s task of generating material after spinning for a minute to imbue disorientation), our introductory task for D-cay involved a blackout in the studio and moving through space with our eyes closed: testing our reactions when confronted with a loss of sight.
During the creation of D-cay, Catrin has asked us to share and embody a fair amount of each other’s material with several tight sections of trio unison thrown in for good measure. As a specific cohort of dancers, this is a new challenge for us (having not been required to work all together in unison for Fascination) and is something that we allocated a fair amount of time to early on in the process in order to get a clear sense of working as a unit.
Overall, it has been really refreshing to work with Catrin on a new piece and I look forward to sharing it with you next year – catch you there!