Rambling

FFIN DANCE Still Standing Tour Image Paul Trask

FFIN DANCE
Still Standing Tour
Image Paul Trask

Well what a week it has been! It’s been so lovely to be back in the studio with the Ffin family.

As Effie has mentioned in her blog, we have been rehearsing for our ‘Still Standing’ tour. It looks set to be a cracker!
We began the week refreshing ‘Synapsequence’ choreographed by our associate choreographer Gary Lambert. I have thoroughly enjoyed slipping back into the piece. It feels like a comfortable pair of shoes you haven’t worn for a long time.
Relearning it has bought back all the memories and fun I had whilst creating it way back in 2012. I’ve found it fascinating the way that my body can remember not only the movement content and structure but also the way my ears are automatically listening for musical cues and my eyes for visual ones.
‘Synapsequence’ is one of my favourite pieces to perform. There is nothing to hide behind and you have to constantly push yourself to keep the piece fresh and to stay true to the material.
This phrase is something that I’ve been pondering about…’staying true to the material’ what does that even mean?  I have been rehearsing and running this piece all week and the material is inherent in my body. However, am I staying true to it? Most of the time when I run the piece I no longer need to think about what comes next or how I should dance this bit or that bit but I wonder if by doing so I loose a sense of where the material has come from thus loosing the identity that made that piece of material what it is? Slightly hard to explain but I’ve been having this internal chatter with myself throughout the weekend.
We moved onto Cat’s piece ‘Stand up Straight’ next. I have a sort of love/hate relationship with this one. I love the physicality and dynamic of it but can’t say I’m a massive fan of making myself dizzy and then having to fall over safely, without loosing that edge you have if you did fall, and lifting and being lifted when you’re not quite on balance. It’s hard work and often leaves me in a bit of a weird head space.
It was lovely to begin work on Sue’s piece for the company ‘Fractal’. We made this back in October and as is often the case with Sue’s work we worked closely with the musical score. This was similar to ‘Synapsequence’ in the sense that the material came back to us pretty quickly except one frustrating part of my solo (which resulted in a little mini diva strop and several attempts to slow motion myself on our video reference). Apart from that, things have been plain sailing.
It’s interesting to see how my ear has found new things to listen for in my solo music. I have made some dynamic changes to parts of my solos as they weren’t quite sitting right for me. As well as these changes I’ve also changed some of my accent points, rhythmic patterns and the way that I approach some of the material. You may not be able to notice the difference physically but it helps me to be able to perform it better.
It looks set to be a great show and the company and myself would love for you to come and share our work at Nantgarw Campus, Coleg Y Cymoedd on 11th March…
Thanks for reading
Meg

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