recent reviewS

clOUD DANCE FESTIVAL

March 26th and 27th 2010

Pleasance Theatre, London

Laura Bridges

 

FFIN DANCE presented an extract of full-length work Sweetheart Roland and boy, do I want to see the rest of it. Based on the gruesome story of Sweetheart Roland by the Brothers Grimm, choreographer Sue Lewis and designer Steve Denton have collaborated to create an endearing and jam-packed world. From the three sections that were shown the song choices are exquisite and complement the fantastic dancers beautifully. In a horizontal line the four dancers dash up stage packing a punch to a Radiohead track, extending and folding their way expertly through the space with tact and grace.

 

Debbie Shine

Ffin Dance brought us an extract of a longer work, Sweetheart Roland, based on the story by The Brothers Grimm but given a new life by choreographer Sue Lewis. This piece was sharp-edged and sassy, with a clear narrative and some really beautiful musicality.

Jennifer Teale

Another extract from a much larger work, Ffin Dance’s Sweetheart Roland tells the story of the Brothers Grimm fairytale of the same name. Beautifully costumed by Steve Denton, Sweetheart Roland is a magical piece incorporating contemporary, ballet and elements of court dance to tell its story. Musical and with a strong narrative the four technically astounding dancers effortlessly engaged the audience in their make-believe world.

 

 

 touch wood

September 29th 2009 at the Robin Howard Theatre at The Place

Libby Costello

Londondance.com 

 

To draw the evening to a close Sheron Wray's Google Women for Ffin Dance was beautifully crafted, as if meant for the wooden boards of the Touch Wood stage.  The two female dancers delved into the Western perceptions of women, assisted by props and costume changes. 

Forming the back drop to Google Women were the gendered large wooden poles and circular bases, taking on sexual characteristics as they were manipulated through the space.  High heeled shoes and boardroom jackets were donned for certain sections, creating an interplay between the woman as objects and as power.  

Luckily this highly political theme was displayed through flowing lines, caring partnering and an eloquent performance from Lisa Hood and Rebecca Evans. With a programme widely varying in styles and concepts.  it really was a treat to see these works in progress - seeing the final versions is now a must.